"Our knowledge of courtly art and entertainment has recently enjoyed a remarkable advancement as a result of this trend. Great interest in courtly art has been reflected, for instance, in a number of medievalist studies, Angus Fletcher's The Transcendental Masque (its first three chapters are as good a prolegomenon for the study of Renaissance courtly art as I know of), the Inigo Jones quatercentenary in 1973, the works of Roy Strong and Stephen Orgel, the Fetes de la Renaissance series edited by Jean Jacquot, and the facsimile reprinting of many important iconologies and other texts on fine arts in the Renaissance."