"Die Kandidaat, Katrina and Jannie Totsiens constitute the golden era of Afrikaans film, as they delivered products of quality and intent which have probably not been met since. … these dynamic films sought to open up the eyes of the viewers to the brutally harmful and hurtful results of institutionalised apartheid on the other segments of the society, especially so to the so-called “Coloured” community. [Their] exclusion [from] Afrikaner identity, though sharing most of the culture and speaking the same language as “Afrikaners”, forms a central theme…"