"The action of a line, that in nature can also influence space outside it's border, is a given that they try to extend, they continue the painting outside the frame and continue endlessly. This way the painting becomes the center of offshoots of strong lines and planes, as they are called by Futurists, going off in all directions. Faced by this center of excessive expression of strength, the spectator forgets his level-headed criticism. He is drawn into the painting and forced to participate.. .Real Futurism is constantly testing itself against real life. For instance, when we perceive a man, for a second we see his collar, tie and the lower part of his chin, and, at the same time, a passing tram. The next moment we see his left ear with some hair and a vase behind him.. .The Futurist is searching for a total of dynamic sensations as they are felt by him, through the rhythm of the various fragmented impressions and their movements, or rather their inner strength..."