"Actually, there are two kinds of audiences for new plays. One set observes them without any per-conceived notions about Kathakali and accept it as a way forward for the art form. Then there are those self-proclaimed ‘critics' who believe that it's their moral right to question why I've had the gall to change something – why Vavar, for example, doesn't follow a particular style of vesham. I don't believe in compromising the aesthetics of plays or characters to suit so-called traditionalists."