"I am a Russian writer and therefore I have two slave’s habits: first, to write allegorically and, second, to tremble. For the habit of allegorical writing I am indebted to the pre-reform Department of Censorship. It tormented Russian literature to such a degree, that it was as though it had vowed to wipe it off the face of the earth. But literature persisted in its desire to live and so pursued deceptive means.... On the one hand, allegories appeared; on the other, the art of comprehending these allegories, the art of reading between the lines. A special slave’s manner of writing was created which can be called Aesopian, a manner which revealed a remarkable resourcefulness in the invention of reservations, innuendoes, allegories and other deceptive means."