"The stock characters acknowledged in the dramas of modern social life embody all too well the concepts and the modes of the moral beliefs and arguments which an Aristotelian and a Nietzschean would have to agree in rejecting. The bureaucratic manager, the consuming aesthete, the therapist, the protester and their numerous kindred occupy almost all the available culturally recognizable roles, the notions of the expertise of the few and of the moral agency of everyone are the presuppositions of the dramas which those characters enact. To cry out that the emperor had no clothes on was at least to pick on one man only to the amusement of everyone else; to declare that almost everyone is dressed in rags is much less likely to be popular."