"In the US, January is "dump month" at the movies. The films no studios believe in or care about—the stuff that doesn't get screened for critics, the stuff that barely gets promoted beyond blurbs from obscure websites and suspicious raves from local TV chefs and weathermen—suddenly become the sole choice available to regular filmgoers hungry for fresh fare.A mere matter of days after American screens have been filled with the finest achievements of contemporary cinema (not to mention Dreamgirls) everything changes."