"Behind the classical mask, behind the classical façade, behind the air of the Grand Seigneur, behind the orthodox Thomism, behind the official complete subservience to the monarchy of his day, which was nothing very splendid or impressive, there is in Maistre something much wilder, much more romantic, much more terrifying. He reminds one of someone like d'Annunzio or Nietzsche – not to seek for later examples. In that way he resembled Rousseau. Just as Rousseau imposed a kind of Calvinist logical strait-jacket upon what was really a kind of burning private lunacy, so Maistre imposes an official legitimist Catholic framework upon what is really a deeply violent, deeply revolutionary inner passion."