"A theorization of what it means to look like a language and sound like a race can be found in the opening chapter of Frantz Fanon's Black Skin, White Masks, titled "The Negro and Language": “The problem that we confront in this chapter is this: The Negro of the Antilles will be proportionately Whiter-that is, he will come closer to being a real human being-in direct ratio to his mastery of the French Language.... What we are getting at becomes plain: Mastery of language affords remarkable power.... The Black man who has lived in France for a length of time returns radically changed. To express it in genetic terms, his phenotype undergoes a definitive, an absolute mutation.” (1967:18-19) Fanon's evocative description of interactions in the French Caribbean context speaks to the powerful ways that categories of language and race become iconic of one another, such that linguistic practices can shape one's racial ontology."