"[I] have just watched Fitna. I don't know whether it is the original version, but it is the one linked by Jerry Coyne. Maybe Geert Wilders has done or said other things that justify epithets such as 'disgusting', or 'racist'. But as far as this film is concerned, I can see nothing in it to substantiate such extreme vilification. There is much that is disgusting in the film, but it is all contained in the quotations, which I presume to be accurate, from the Koran and from various Muslim preachers and orators, and the clips of atrocities such as beheadings and public executions. At least as far as Fitna is concerned, to call Wilders 'disgusting' is surely no more sensible than shooting the messenger. If it is complained that these disgusting Koranic verses, or these disgusting Muslim speeches, or the more than disgusting Muslim executions, are 'taken out of context', I should like to be told what the proper context would look like, and how it could possibly make any difference. To repeat, Wilders may have said and done other things of which I am unaware, which deserve condemnation, but I can see nothing reprehensible in his making of Fitna, and certainly nothing for which he should go on trial. Like the film of Theo van Gogh and Ayaan Hirsi Ali, the style of Fitna is restrained, the music, by Tchaikowski and Grieg, is excellently chosen and contributes to the restrained atmosphere of the film. The horrendous execution scenes are faded out before the coup-de-grace; all the stridency, and almost the only expressions of opinion, come from Muslims, not from Wilders. Why is this man on trial, unless it is, yet again, pandering to the ludicrous convention that religious opinion must not be 'offended'? Geert Wilders, if it should turn out that you are a racist or a gratuitous stirrer and provocateur I withdraw my respect, but on the strength of Fitna alone I salute you as a man of courage, who has the balls to stand up to a monstrous enemy."