"A subtler analogue occurs in treatments of murder and abortion in twentieth-century fiction. Both are the objects of real and urgent moral, emotional, and legal concerns among American citizens. Yet murder is depicted vastly more often than abortion: it is the single most common plot device in whole genres of imaginative literature-novels, movies, and television. Abortion occurs much less often as a plot device even in novels, and almost never in movies or on television. Is this because murder is a familiar part of most Americans’ lives and abortion is not? Or because Americans are more likely to be affected by a murder than by an abortion? Or because murder is less horrible and disapproved than abortion? On the contrary: there are enormously more abortions in the United States than murders, and vastly more members of the reading public are affected by abortion than by homicide (unless, of course, one categorized abortions as “murders,” but it is still not the act on which the bulk of mystery or action plots turn). Moreover, although substantial elements of the population are categorically opposed to it, many Americans do not regard abortion as immoral. Precisely because murder, although a real social problem is horrible enough and sufficiently removed form everyday life to provide the excitement of the extreme and perverse, it makes a useful subject for fiction, whereas abortion raises problems which are too familiar, too troubling, too ambivalent, and not sufficiently exotic to afford the same satisfaction in reading."