"Rembrandt was a model from the past that artists and critics [in France] sought out because he fulfilled their needs for a new 'non-ideal' exemplar, someone who could justify and bolster their own artistic projects and political views.. ..as a successful predecessor and he functioned as a mentor.. ..through the practical emulation of his artistic techniques.. .French artists did their utmost to absorb, invoke, subsume and usurp Rembrandt’s artistic persona in an effort to define their own identities."
January 1, 1970