"The world belongs to those who don’t feel. The essential condition for being a practical man is the absence of sensibility. The chief requisite for the practical expression of life is will, since this leads to action. Two things can thwart action – sensibility and analytic thought, the latter of which is just thought with sensibility. All action is by nature the projection of our personality on to the external world, and since the external world is largely and firstly made up of human beings, it follows that this projection of personality is basically a matter of crossing other people’s path, of hindering, hurting or overpowering them, depending on the form our action takes. To act, then, requires a certain incapacity for imagining the personalities of others, their joys and sufferings. Sympathy leads to paralysis. The man of action regards the external world as composed exclusively of inert matter – either intrinsically inert, like a stone he walks on or kicks out of his path, or inert like a human being who couldn’t resist him and thus might as well be a stone as a man since, like a stone, he was walked on or kicked out of the way. The best example of the practical man is the military strategist, in whom extreme concentration of action is joined to its extreme importance. All life is war, and the battle is life’s synthesis. The strategist is a man who plays with lives like the chess player with chess pieces. What would become of the strategist if he thought about how each of his moves brings night to a thousand homes and grief to three thousand hearts? What would become of the world if we were human? If man really felt, there would be no civilization. Art gives shelter to the sensibility that action was obliged to forget. Art is Cinderella, who stayed at home because that’s how it had to be."