"You can go into slow motion or fast motion in a comic book in a way you can't in a movie without drawing attention to it. You can have six panels in a row where the actions are a half second apart, or you can skip years between panels and it just doesn't have the same egregious quality, where, in a movie, Peckinpah slows down the murder and it seems that the body collapse in slow motion; it seems like an entirely different thing when you do that on film and when you do that on the comics page."