"Roxana adds feminist ideology to Moll's praxis. But instead of violently appropriating the masculine like Mrs. Manley's grotesque Zarah, she aspires to a new category and actually declares that her ultimate ambition lies in a powerful androgyny. When an eminent merchant proposes marriage, she refuses in the name of liberty: "and seeing Liberty seem'd to be the Men's Property, I wou'd be a Man-Woman; for as I was born free, I wou'd die so". Roxana has a fully articulated ideology of freedom which grasps very clearly the central problem that she solves in her book, the loss of self attendant upon being merely a woman."