"Balzac's reaction was somewhat different, but in its own way no less flattering. The novelist had become a good friend of both Aurore's and Jules Sandeau's, and they had been amused to see him use the money earned by his La Peau de Chagrin to transform his low-ceilinged apartment on the Rue Cassini into an "assemblage of marquises' boudoirs" — as George Sand later described it — with walls dripping in a feminine exuberance of silk and lace. Once, after entertaining them to a dinner of boiled beef, melons, and champagne (his standard fare), he had insisted on accompanying them home as far as the arrayed in a lovely new dressing gown and with a handsome brass candlestick to light the way, explaining as they went that no robber would dream of attacking him — taking him either for a dangerous madman or a prince whom it would be wiser to respect."