"The three mid-twentieth-century master painters of liberal disorder considered here—Richard Weaver, Eric Voegelin and Alasdair MacIntyre—all worked in the United States. Voegelin and MacIntyre were European emigrés. They wrote with a historical and geographic broad sweep. By the “West” they meant, willy-nilly, the classical Mediterranean world, medieval Christendom, and present-day rich, non-Communist nations. All took for granted a pervasive spiritual decline. None focused topically on this or that particular social harm or its solution. They wrote as if Western troubles were, if not of one kind, at any rate from a common source in a collective moral disorder. The scholastic and historical detail was imposing. With Voegelin, it was overwhelming. Despite the detail, however, the appeal of the picture lay in its simplicity and familiarity. Each told a time-honored story of Luciferan pride and fall. What liberals saw as progress, these thinkers took for ruinous and merited decline. Reversing decline, supposing that reversal were possible, was a matter of morals and how to think about morals. Each had a social diagnosis, a historical story, and a suggested cure. On the diagnosis, they concurred. We were suffering from liberal modernity. On the timing of its onset they differed: the twelfth century, perhaps earlier (Voegelin); the fourteenth century (Weaver); eighteenth-century Enlightenment (MacIntyre). The suggested cure was to rebuff liberal efforts to privatize morality and put morality back into politics and public life. Weaver, Voegelin, and MacIntyre opened paths toward present-day “values” conservatism. They pointed to a sphere of politics that conservatives might hope to claim as their own."