"As Edward Gibbon observed about the modes of worship prevalent in the Roman world, they were “considered by the people as equally true, by the philosopher as equally false and by the magistrate as equally useful.” Mother Teresa descends from each element in this grisly triptych. She has herself purposely blurred the supposed distinction between the sacred and the profane, to say nothing of the line that separates the sublime from the ridiculous. It is past time that she was subjected to the rational critique that she has evaded so arrogantly and for so long."