"Jane Austen has been criticized as trivial by the same enlightened race of critics as think her incapable of depicting passion. But such a criticism reveals a complete failure to grasp the convention within which her art is constructed. For aesthetic reasons she limits herself, as we have seen, to the mood of comedy and the world of the small gentry in England. But comedy can deal, and always has since the days of the Greeks, with themes as important and significant as those of tragedy: while the life of an English Squire's wife is as serious as the life of any one else: it can no more avoid the central problems that face mankind during its sojourn on this planet. The visible structure of Jane Austen's stories may be flimsy enough; but their, foundations drive deep down into the basic principles of human conduct. On her bit of ivory she has engraved a criticism of life as serious and as considered as Hardy's."