"[T]he power of the realized conventional form, the delicious happiness Austen makes us feel, must surely be counteracted by a kind of inquiry that is as courageous and sensitive and resistant as Austen's reading of her own predecessors. She knew better than to pretend that powerful fictions are not dangerous. She thus would welcome, I like to think, the probing questions that feminist critics have been teaching us to ask. Her kind of critical spirit, applied … to her kind of works, will not leave those works unmodified. But to me it is reassuring to discover that most of the modifications, most of what we learn by asking the questions raised by feminist critics, leave Jane Austen looking perhaps even greater than she did before."