"The Rape of the Lock (1712–14) lifted Pope at once to the first rank of living European poets. In lightness of handling, in elegance of badinage, in exquisite amenity of style—that is to say, in the very qualities which Latin Europe had hitherto, and not without justice, denied us—the little British barbarian surpassed all foreign competitors. This is the turning-point of English subserviency to French taste. Pope and his school had closely studied their Boileau, and had learned their lesson well, so well that for the future England is no longer the ape of the French, but is competent, more and more confidently as the century descends, to give examples to the polite world."