"He was drawn to the centers of learning to announce his startling philosophy; from most he was curtly expelled... He was contradictory, capricious, often insufferable: his moods could flash abruptly from antic lampooning to raw invective, from wild exhilaration to fierce bitterness, from clownishness to a blackdog melancholy. "Gay in sorrow, sorrowful in gaiety," he said of himself, and the contraries of the tempestuous Bruno survive in his writings, where exalted and discerning passages seem to bob and dip in great waves of bombast... Controversial and largely dismissed in his lifetime, Bruno fared no better after his death. If his ideas were disputed, so was his martyrdom. For centuries, rumor and doubt shrouded the terrible fire in the Campo dei Fiore and as late as 1885 there are references to the "legends" of Bruno's burning at the stake... Only in the twentieth century has Bruno begun emerging from his long neglect into prominence."