"It did not do so by accident. Paine crafted Common Sense as a kind of talking book; its pages are alive with the voices and scenes of the Revolutionary moment. John Adams complained that Common Sense sounded like it was written by a former inmate of London’s notorious Newgate Prison, “or one who had chiefly associated with such company.” For Paine, this was high praise. He wished for Common Sense to sound like what one might hear in the tavern, the shop, the coffeehouse, or the street. Anticipating public readings, he fashioned the text as something of a script, adding italics and capitals to direct its performers to catch its cadences and hurl its barbs: “The blood of the slain, the weeping voice of nature cries, ’TIS TIME TO PART.” Paine’s argument for parting was as powerful as his language. His reasoning began with an indictment of the whole institution of monarchy (which he called “the most prosperous invention the Devil ever set on foot for the promotion of idolatry.”) What monarchy’s devotees claimed as natural and divine, Paine described as a crime of history. The first king? He was the “chief among plunderers” and “nothing better than the principal ruffian of some restless gang.” Such rhetoric announced a marked turn in the discourse on America’s relation to Britain, both in tone and target. Previously, the debate involved the abstract language of political theory and had largely focused on the question of Parliament’s authority over the colonies. Paine’s anti-monarchy appeal at once simplified the case and made it more democratic, shaking the foundations of a world defined by rigid hierarchies."