"In Mao a politician’s grasp of the historical moment was coupled with a poet’s whimsy, and it was often through some improvised flourish that he would unveil his program. When the Communist Party Central Committee and the top brass in Beijing tried to clamp down on popular protests, Mao did not use his supreme authority as party chairman to set his colleagues straight. Instead, he employed the very same approach as the masses by writing a big-character poster of his own, entitled “Bombard the Headquarters,” protesting that “some leading comrades” had adopted “the reactionary stand of the bourgeoisie … encircling and suppressing revolutionaries” and “stifling opinions different from their own.” You can imagine people’s reaction: what can it mean when the great leader Chairman Mao has gone so far as to write a big-character poster? It can mean only one thing—that Chairman Mao is in the same boat as ordinary people like themselves! No wonder, then, that the great proletarian Cultural Revolution soon engulfed China with the speed of an unquenchable wildfire. Historically, emperors have always cut the kind of figure and spoken the kind of language expected of an emperor, no matter how exalted or how humble their origins. Mao was the only exception. After he became leader, he often acted quite out of keeping with accepted norms, taking his comrades in the Communist Party leadership completely by surprise. Mao understood very well how to whip the masses into a frenzy, and by appearing on the Gate of Heavenly Peace in the early stages of the Cultural Revolution and greeting fanatical “revolutionary students” and “revolutionary masses” there, he impelled the high tide to ever greater heights."