"Why was Astour’s work considered so...offensive? First, it offended at a formal level, because it challenged the academic hierarchy; this was a reflection of the relative power of the two disciplines. Although Classicists had previously discussed Eastern parallels to Hellenic mythology, it was entirely different and unacceptable for Orientalists to pronounce on Greece.There were also fundamental objections to the content of Astour’s work. Scholars like Fontenrose and Walcot had made broad sweeps of world mythology – including India, Iran and so on – and they gave preference, if possible, to the less offensive sources. By contrast, Astour’s derivation of Greek names from Semitic not only poached on the sacred ground of language, but also made the connections between West Semites and Greeks disturbingly close and specific. Furthermore, two of the myth cycles he treated – those of Kadmos and Danaos – were concerned with Near Eastern colonization in Greece, and he made a plausible case for their having a historical kernel of truth. The fourth section of Hellenosemitica was even more provocative in that it went into the sociology of knowledge, and its sketch of the history and ideology of Classics and Classical archaeology has been the basis of all later writings on this subject, this volume included. In doing this Astour injected relativism into subjects that had previously been impervious to the forces of probabilism and uncertainty that have transformed other disciplines since the 1890s."