"A Philhllene of extraordinary passion, [Winckelmann] loved every aspect of his image of Greece, seeing its two dominant essences as liberty and youth. According to him Greece epitomized freedom, while Egyptian culture had been stunted by its monarchism and conservatism and was the symbol of rigid authority and stagnation — which also happened to be non-European. In his mind, the Greek city-states contained the liberty without which it was impossible to create great art. Winckelmann, and his followers, loved this liberty and youth for their freshness and vitality. Yet he insisted upon the soft gentleness of Greek art, and the ‘noble simplicity’ and ‘serene greatness’ of Greek culture as a whole, which he saw as the result of the equable Greek climate. Moreover, central to his love of Greece was his appreciation of Greek homosexuality. Winckelmann himself was homosexual, and the major homosexual strand which has persisted in modern Hellenism has continued to be associated with him."