"Being iconoclastic is only acceptable and desirable if the public—or at least a specific segment of society—is open to it. A literature that the public cannot relate to in any form will not endure. I have been iconoclastic, but I’ve never broken my ties with Iran’s past literature. No one can create a noteworthy work without knowing the tenets of their own language and literature. Language is renewed but it never changes its essence, because the contracts that have come about over time for communication cannot be rescinded so easily. It takes a thousand years before a word, among the thousands of words, dies away in a language or changes its meaning. Literature rests on language. It is a linguistic art. So it cannot sever its relationship with the past. But it can create new methods and styles that differ in structure, form, and content from the past."