"At the Paris Exhibition, the Soviet pavilion and the Italian Futurist section represented the cutting edge of artistic avant-garde. It featured the architectural concepts and theater decoration and set designs of Enrico Prampolini and Giacomo Balla, and the panels of Fortunato Depero, with their vivid colors, embroidered figures, and cloth superimposed on cloth, perfectly executed and of the finest taste, with a stylized composition that was schematic and sometimes caricatural. Some of his painted wooden puppets also attest to his inventiveness, with their summary volumes and search for curious and effective rhythms, often with happy results."