"A reader new to Rhys usually puzzles over her viewpoint looking both ways across the channel and the Atlantic, she seems for and against both perspectives. Her insider-outsider's treatment of England, France and the Caribbean gnaws at comfortable ethnocentricisms.... Looking for some kind of familiar ground, the reader tries to fit Rhys into available models of contemporary fiction, and fails. She belongs to no recognizable school, fits into no ready-made slot. Rhys's fiction belongs, as she did, to worlds whose mutual understanding has "the feeling...of... things that... couldn't fit together." The dissonances of seemingly different worlds inform the Rhysian novel, finding coherence in her art...All her work is charged with a sense of belonging in many wheres at once."