"Andreotti dreamed of a ‘Christian’ cinema that would compensate for the cultural primacy of the communists. Following his inclination towards concrete things, he listed the box office takings of Roman cinemas for the screening of the film [Gli uomini non guardano il cielo] on the life of Pius X, and compared them with the much higher takings of Siamo tutti assassini. He concluded that films about popes were not ‘box office hits’ even for Roman Catholics, who were supposed to be pious. (p. 51)"