"A couple of days a month, I would - when I was 14, when I was 15, when I was 16, I went to the studio, and they would show me storyboards. And they had very crude - they were 16 mm, very hot lights so that everything stood out very strongly, you know, almost in silhouette sometimes, especially when Snow White was running through the forest or doing anything of that nature. And I made it up. You know, it was almost like extended play for me."