"It is for the artist and the writer that the problem is raised in a particularly acute and at the same time equivocal manner, for then one seeks to set up the indifference of human situations not in the name of pure contemplation, but of a definite project: the creator projects toward the work of art a subject which he justifies insofar as it is the matter of this work; any subject may thus be admitted, a massacre as well as a masquerade. This aesthetic justification is sometimes so striking that it betrays the author’s aim; let us say that a writer wants to communicate the horror inspired in him by children working in sweatshops; he produces so beautiful a book that, enchanted by the tale, the style, and the images, we forget the horror of the sweatshops or even start admiring it. Will we not then be inclined to think that if death, misery, and injustice can be transfigured for our delight, it is not an evil for there to be death, misery, and injustice?"