"In August 1996, while I was a Research Fellow at the University of Cape Town, I was struck by a series of news stories in South African newspapers in which the visual and verbal imagery seemed to me highly distinctive. I kept a collection of clippings and eventually these became the basis for my PhD on images of Islam. In the course of my studies, I conducted archival research into colonial-era paintings, newspapers and popular cultures in South Africa, and read these in juxtaposition with contemporary literary representations of Islam. This trajectory of images across two centuries became the material for a theory about representations of slavery and Islam in South Africa."