"“One of the things that I find most compelling about Tayo’s studio work is its engagement with circulation systems: the way in which products, ideas and images circulate in a global marketplace. … What Tayo says about circulation in her art — that it isn’t seamless or neat and that it can involve rupture, violence or misrecognition — speaks eloquently to the difficulty, even perversity, of defining or knowing identity (national as well as individual) in the 21st century.”"
January 1, 1970