"Mike Gold's initiation into the radical movement occurred in 1914 when he blundered into an unemployment demonstration in Union Square, listened to the "rebel girl" Elizabeth Gurley Flynn, and bought a copy of The Masses. Between 1915, when he contributed his first poem to Eastman's magazine, and 1921, when he joined the editorial staff of The Liberator, Gold lived the wandering and exciting life of the Bohemian-anarchist artist. He wrote three one-act plays for the Provincetown Players and spent a summer with the happy and hard-drinking group at the Cape. In New York, after attending rehearsals at the Provincetown Playhouse, he would join Eugene O'Neill and anarchist friends at a saloon on the corner of Fourth Street and Sixth Avenue, the "Hell Hole," and listen to O'Neill recite "The Hound of Heaven." Dorothy Day, a "rebel girl" of the Village and, later, the much-admired and selfless editor of the Catholic Worker, remembers at this time that she and Gold were reading Tolstoy together. "He used to make fun of my religious spirit," she wrote later, "but he himself was in sympathy with the Christianity expressed by Tolstoi, a religion without churches or a priesthood. Mike had a religious upbringing in his home on the East Side and liked to sing Yiddish folksongs and Hebrew hymns.""