"Padmanabha, in his Kanhadade Prabandha, presented a noticeably different account of the attack on Somnath. He composed his work in 1455 ck, at the behest of the fifth in descent of Raval Kanhadade Chauhan of Jalor, who had fought the Khalji forces. "he work recounted the heroic tale of Kanhadade and the people of Jalor, who resisted the Delhi armies till the very end (Padmanabha 1991: vii-xxii). The text stated, Profound calamity had fallen upon Lord Somanatha’s temple. The locks (of the doors) were broken open and the enemy rushed through the doors tumultuously, and took possession of the temple drum and Kansala. The Mlechchha (asura) stone-breakers climbed up the sikhara of the temple (to take off the golden kalasa) and began to rain blows on the stone idols on all the three sides (pasa) by their hammers, the stone pieces falling all around. They loosened every joint of the temple building, and then began to break the different layers (thara), and the sculptured elephants and horses on them by incessant blows of their hammers. Then, amidst loud and vulgar clamour, they began to apply force from both the sides to uproot the massive idol by means of wooden beams and iron crowbars. Such strange and improper happenings were taking place: the kaliyuga was, no doubt, showing its true temper: Lord Siva, leaving the earthly abode, went away to Kailasa. Ulug Khan now ordered: ‘The temple will remain without its God idol! Despatch the idol (bhuta) to Delhi where I will have it crushed and made into lime.’ Half cart (Faraka i.e. Firg) and rekhala, with wheels fitted with iron rims, were brought to place the idol with the help of strong wooden beams. Dark coarse Bhoias loaded the linga on the huge cart to which were yoked three pairs of bullocks, and the idol was sent off towards Delhi (Padmanabha 1991: 10). The next day, the Rauts surveyed the battlefield. The palhans of the horses, turrets (panjari) carried by the elephants, and slaughtered horses were lying scattered all over the ground... Also could be seen severed heads and torsos lying here and there. The ground had become wet and miry with flesh and gore of the slain. The Raval secured back Lord Somanatha’s idol and then washed his weapons... No sooner the people of Jalor came to know of Kanhadade’s victory, they came to greet him and offer felicitations... (Padmanabha 1991: 25-27). At Jalor, Kanhadade now worshipped Lord Somanatha, daily bathing the idol with panchamrita, performing all the sixteen rituals, and adorning the idol with sandal paste, flowers, tilaka, etc... Of the Ekalinga, which saves one from falling into the hell and dire troubles and afflictions, five idols were carved out; there is no sixth one like them. One of these was ceremoniously installed at Soratha and another at Lohasing in Vagada. One was sent to a pleasant spot on the Abu hill for consecration, while one was installed at Jalor where the Rai built a temple and one was sent to Saivadi (Jalor district). At all these five places, worship of Lord Siva is performed"