"His vision of the Statesman was as a totally independent, and therefore fearless, mischief-maker. Sometimes this worked - the magazine's anti-Iraq war campaign was prescient and much copied; sometimes it did not - New Statesman covers could take on the wrong taboos, viz its Zionist conspiracy or its Blair as Stalin covers, or more recently the issue marking John Paul II's death, in which the late Pope's impact on Africa's Aids epidemic was compared with that of prostitutes and truck drivers."