"The process tends to be pretty similar. For different pieces, it starts with like resolving the idea, and how the idea kind of translates to a physical piece. Sometimes I sketch. I find myself sketching more often these days. Sometimes you just need help figuring out how the forms will interrupt space. But I don't start to anything until the piece is clear. It has to be as clear as possible. I would say, like maybe 70 80%, clear, the remaining 20% tends to resolve itself. It's like I'm building a jigsaw puzzle, where I'm the only one who can see the end image, and then I have to translate it for everyone else. There's not a lot of room for error, so I need to know exactly where I'm going. Otherwise, I can't take anyone else with me."