"In July of 1934 an editorial in The Commonweal, a semi-official organ of the Catholic church, declared that the “muck merchants” of Hollywood, that “fortress of filth” that had been destroying the moral fiber of the American people, had finally been brought to its knees by the Catholic church and its Legion of Decency. In less than a year the church had recruited millions of Americans of all religious denominations to pledge not to attend “immoral” movies. With a national depression already threatening Hollywood’s financial stability, movie czar Will Hays, head of the Motion Picture Producers and Distributors of American (MPPDA), accepted the terms of surrender dictated by the church and its legions. The truce struck between Hays and the Most Reverend John T. McNicholas, Archbishop of Cincinnnati, and written and negotiated by Martin Quigley, publisher of “The Motion Picture Herald”, signaled a turning point in a 30-year battle among religious leaders, women’s groups, civic organizations, municipal and state censorship boards, and the motion picture industry over the content of Hollywood films. The victory took the form of a new agency inside the MPPDA, the industry's trade association. The Catholics demanded that Hays create Production Code Administration (PCA) to enforce the censorship code adopted by the industry in 1930. The code, written by a Catholic priest, had not, in the opinion of the church, been enforced. The church demanded, and Hays agreed, that a staunch lay Catholic, namely Joseph I. Breen, would head the PCA and interpret the code. To guarantee that Breen would have enforcement powers, the agreement forced every studio to submit scripts to the PCA before production. The studios agreed that no production would begin without script approval and that no film would be distributed with a PCA seal of approval. The MPPDA was given power to levy a $25,000 fine against any violator. But that was not all. The church demanded that Hollywood permanently withdraw from circulation films it viewed as “immoral” and that local theater owners be empowered to cancel any film currently in circulation if they judged it to be “immoral.”"