women-authors-from-ireland

"I have more confidence in the charity which begins in the home and diverges into a large humanity, than in the worldwide philanthropy which begins at the outside of our horizon to converge into egotism."

"The only competition worthy a wise man is with himself."

"Fame has no necessary conjunction with praise: it may exist without the breath of a word: it is a recognition of excellence which must be felt but need not be spoken. Even the envious must feel it: feel it, and hate it in silence."

"Reputation being essentially contemporaneous, is always at the mercy of the Envious and the Ignorant. But Fame, whose very birth is posthumous, and which is only known to exist by the echo of its footsteps through congenial minds, can neither be increased nor diminished by any degree of wilfulness."

"Reputation is but a synonyme of popularity: dependent on suffrage, to be increased or diminished at the will of the voters."

"He that seeks popularity in art closes the door on his own genius: as he must needs paint for other minds, and not for his own."

"Piety in art—poetry in art—Puseyism in art—let us be careful how we confound them."

"The true purpose of education is to cherish and unfold the seed of immortality already sown within us; to develop, to their fullest extent, the capacities of every kind with which the God who made us has endowed us."

"A man may be as much a fool from the want of sensibility as the want of sense."

"As the rolling stone gathers no moss, so the roving heart gathers no affections."

"Beloved, it is morn! A redder berry on the thorn, A deeper yellow on the corn, For this good day new-born."

"The last time I saw W. B. Yeats was in June 1938, in his house outside Dublin. He came into the room with his well-remembered, eager step, speaking in his well-remembered, eager voice. But he was changed. Old age that had left him so long untouched was making inroads on his physique. The old energy now came only in flashes. One of his eyes was covered with a black patch; it was blind, and he could use only one eye. ‘We are both changed,’ he said, examining me with his one eye. ‘You were once my ideal of a youthful nihilist.’ ... This was what he used to say to me in my student days when I was so delighted to be Yeats’s ideal of anything that I didn’t care what the word meant. Nihilism was the romantic form of revolt in Yeats’s early days; his friend, Oscar Wilde, had made a first play about Vera, the girl-nihilist. ... I think, vaguely, in his mind it represented a youthful fighting spirit that went with reading Russian novels, , and Nietzsche. To attribute to anyone a fighting spirit was Yeats’s most heartfelt compliment."

"Both Joyce and Proust give the same impression, that they have penetrated into reaches of the inner life of men and presented them with far more actuality than has been done before."

"... In 1911, she established the monthly intellectual journal the Irish Review, with Padraic Colum, David Houston, , and . As an editor, Collum published her own articles, as well as work by , , and , until the Review ceased publication in 1914. Along with and other women nationalists, she also helped found , an auxiliary of the , and fought for women's suffrage."

"[H]is working-class background became embroiled in a circular logic with his misogyny, where [[Russell Brand|[Russell] Brand]]'s sexism was condescendingly validated by his class credentials and vice versa. Brand can't help speaking about women that way, that's just what someone with his background is like, people seemed to shrug – neglecting to recognise that this is not a condition of working-class people. In this way, he was allowed to be openly misogynistic for years, with anyone who objected to his presence dismissed as stuffy, classist or incapable of humour."

"Part of what I find depressing about England is that, rather than being upset with the wider forces that make your life horrible, you're encouraged to look at your neighbour like, 'He's making £10 too much a week on his benefits, and I'm going to report that f***er'. When I read a tabloid occasionally, I feel that being stoked — you're supposed to hate someone who has a tiny bit more than you to avoid having to look at why you don't have enough for yourself."

"Though there is more I could say on this – details that would both elicit sympathy and make me look like a spoiled little shit – that was all there really was to it. The slow, boring poison of drink and secret-keeping, spread out into every part of my life, so that nothing was safe or good any more. Until I woke up one day and realised I could not remember the last time I had read a book."

"Almost as soon as I began, I was lost. The idea of getting up each day and going to class, of learning over and over again that I was stupid, and crass, and incompetent, did not seem doable. It hadn't occurred to me that I was there to learn, to become less stupid. I felt I had failed already, fumbled the opening pass. I had arrived to university quite mad already and quickly became exuberantly so, drinking litres of gin by night and lying in bed, shaking with fear, all day long. It wasn't laziness, exactly, that stopped me trying to work, but that fear. It lay immobile on my chest. All of Dublin, but especially Trinity, felt corrupted by some malign force that I couldn't break through."

"In the midst of all this, I've noticed a tonal shift in the way I and other Irish people speak about the English. Our anger is more sincere. We are more ready to call them out on all those centuries of excess, more likely to object to those pink-trousered, pink-faced dinosaurs who still perceive us as their inferiors."

"I've lived in London for three years. I hadn't spent much time in Britain before my arrival and had no particular feelings toward the English. I expected them to react to me with similar neutrality. What I didn't expect was the toxic mix of dismissal and casual disdain. It would have been easier, perhaps, if it was all as overt as potato jokes. But what kills you is the ignorance; what grinds you down is how much they don’t know about the past and, if they do know, how little they care. It's a strange and maddening thing to discover about the people who shaped your country’s fate and who are poised to do so again."

"It is disturbing to imagine a figure of apparent dignity and autonomy, one who achieved such mastery in her field, as weak enough to indulge this sort of thinking. This sort of self-pity, this admission of dependence – not just on a man, but a man capable of abusing children and blaming it on them."

"It is, sadly, not unheard of for the mother of an abuse victim to side with a romantic partner who is the child’s abuser. Sometimes this expresses itself as blanket denial even in the face of clear evidence, sometimes it is a grim choice born of financial dependence on the abuser, and sometimes it is a consequence of being another victim of the abuser's violence. What is striking, and frankly repellent, about Munro's decision to stand by Fremlin is how lucid it appears to have been, and without any material necessity driving it. Rather it seems to have been a choice made for reasons that are sentimental in a ghastly sense – because she couldn't bear to be alone, to leave this man she loved."