Wayang

"The good puppet-master, whatever his interpretation of the story, political, mystical, leaves the issues open. Everyone watching responds according to his character and circumstances. And the story is denser than appears in this account. Because every character trails his own ancestry and dilemmas, even the wicked Rahwana, even the beautiful Sinta. Everyone is engaged in his own search, and at his appearance in the story is in a crisis; so that, as in the profoundest drama or fiction, every encounter is charged with meaning. The epics are endless. The puppet plays bear any number of repetitions, because the more the audience knows the more it understands; and interpretations of motive, of what is right and wrong or expedient, will constantly change."