1960s-italian-films

"Jean Martin - Colonel Philippe Mathieu"

"Franco Moruzzi - Mahmoud"

"Political Prisoner: [handcuffed, walking to the guillotine] God is great! God is great! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria! Long Live Algeria!"

"French Interrogator: Couldn't you have talked sooner? It would've gone easier for you."

"It's hard to start a revolution. Even harder to continue it. And hardest of all to win it. But, it's only afterwards, when we have won, that the true difficulties begin. In short, Ali, there's still much to do."

"[distributing the bomb baskets to female FLN fighters] Air France, Rue Mauritania. The café, Rue Michelet. The milk bar, Rue d'Isly. The bomb timers are short. They'll be set outside the Casbah. Taleb is waiting for you at the fish market. But then you must hurry. You only have 30 minutes to place them. Good luck. Good luck. God be with you."

"Okay, I'll explain. First, we need to get organized and secure our hideouts. Then we can take action. The organization's getting stronger, but there are still too many drunks, whores, junkies, people who talk too much, people ready to sell us out. We must win them over or eliminate them. We need to clean house first, organize the country. Only then can we take on our real enemy."

"The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with."

"Gentlemen, believe me, it's a vicious circle. We could talk for hours to no avail, because that isn't the problem. The problem is this: The FLN wants to throw us out of Algeria and we want to stay. Even with slight shades of opinion, you all agree that we must stay. When the FLN rebellion began, there were no shades at all. Every paper, the communist press included, wanted it crushed. We're here for that reason alone."

"Like rabbits in a cage. Just as I hoped."

"Any of you ever suffer from tapeworm? It's a worm that can grow infinitely. You can destroy its thousands of segments, but as long as the head remains, it rebuilds and proliferates. The FLN is similarly organized. The head is the Executive Bureau. Several persons. As long as they're not eliminated, we're back to zero."

"The word "torture" doesn't appear in our orders. We've always spoken of interrogation as the only valid method in a police operation directed against unknown enemies. As for the NLF, they request that their members, in the event of capture, should maintain silence for twenty-four hours, and then they may talk. So, the organization has already had the time it needs to render any information useless. What type of interrogation should we choose, the one the courts use for a murder case, that drags on for months?"

"We need to have the Kasbah at our disposal. We have to sift through it and interrogate everyone. And that's where we find ourselves hindered by a conspiracy of laws and regulations that continue to operate as if Algiers were a holiday resort and not a battleground. We've requested a carte blanche, but that's very difficult to obtain. Therefore, it's necessary to find an excuse to legitimize our intervention and make it possible. It's necessary to create this for ourselves, this excuse. Unless our adversaries think of it themselves, which seems to be what they're doing."

"The basis of our job is intelligence. The method interrogation. Conducted in such a way as to ensure we always get an answer. In our situation, humane consideration can only lead to despair and confusion. I'm sure all units will understand and act accordingly. Unfortunately, success doesn't depend only on us."

"To know them is to eliminate them. Consequently, the purely military aspect of the problem is secondary. More important is the policing aspect. I know you dislike that word. But it's the only one that describes the work at hand."

"It's a faceless enemy, unrecognizable, blending in with hundreds of others. It is everywhere. In cafés, in the alleys of the Casbah, or in the very streets of the European quarter."

"We have to start from scratch. The only information we have concerns the organization's structure. Let's start from there. It's a pyramid organization made up of a series of sections. These sections, in turn, are made up of triangles. At the apex is the Executive Bureau. The military head of the Executive Bureau finds a competent person and names him section head: No. 1. No. 1 finds two others: Nos. 2 and 3. This makes up the first triangle. Now Nos. 2 and 3 each select two men: Nos. 4, 5, 6 and 7. The reason for these geometrics is that each organization member knows only three other members. The one who chose him and the two he himself chose. Contact is made only in writing. That's why we don't know our adversaries. Because, in point of fact, they don't know each other."

"So we now average 4.2 attacks a day. We must distinguish between attacks on individuals and bombings. As usual, the problem involves first, the adversary, and second, the means to destroy him. There are 400,000 Arabs in Algiers. Are they all our enemies? We know they're not. But a small minority holds sway by means of terror and violence. We must deal with this minority in order to isolate and destroy it. It's a dangerous enemy that works in the open and underground, using tried-and-true revolutionary methods as well as original tactics."

"We aren't madmen or sadists, gentlemen. Those who call us Fascists today, forget the contribution that many of us made to the Resistance. Those who call us Nazis, don't know that among us there are survivors of Dachau and Buchenwald. We are soldiers and our only duty is to win."

"Should we remain in Algeria? If you answer "yes," then you must accept all the necessary consequences."

"Fusia El Kader - Hassiba Ben Bouali"

"Ugo Paletti - a Captain"

"Samia Kerbash - Fathia"

"Tommaso Neri - Captain Dubois"

"Si Mohamed Baghdadi - Larbi Ben M'hidi"

"Brahim Hadjadj - Ali La Pointe"

"Saadi Yacef - El-Hadi Jafar"

"Mohamed Ben Kassen - Little Omar"

"FLN Official: Remember, we are at war against colonialism. A strong army has occupied our country for 130 years. This is why the FLN has to make decisions concerning the civil life of the Algerian people. With this marriage we fulfill our duty, a duty of resistance."

"A century ago on the low hills along the border between the southern states and turbulent Mexico, a mystery man appeared... a man with a sad, impenetrable face. Who was that man? What was his secret?"

"Franco Nero as Django"

"The opening – a medium shot on the back of Django’s head as he walks away from camera – is the opening shot of Yojimbo. And the ending could be Fistful of Dollars, or A Pistol for Ringo, or Return of Ringo, or any of the Spaghetti Westerns in which the hero’s gun-hand is injured. Except that this is Django, and while the idea may be the same, Corbucci takes it to some weirder, crueller level of Surrealist violence; amplifies the sacrificial religious symbolism of the hero-with-damaged-hands by staging the showdown in a cemetery; and, in case we still don’t get the joke, naming his lead character after the jazz guitarist Django Reinhardt, famous as a brilliant musician despite a serious deformity of one hand."

"I had no idea it would turn out to be so special. It wasn't just a success; it was a phenomenon. Everywhere I go people shout "Django" at me. Even today, as I am working in Brazil, kids call me Django. In Japan, they won't even put my name on movie posters, they put "Django". In Germany, they call all my movies Django; I did a great movie about the Sicilian mafia and they called it Django in the Mafia. The Shark Hunter they called Django Django. They say: "Well, it's your problem.""

"The movie that spawned a genre."

"The Most Controversial and Sought-After Spaghetti Western Of Them All!"

"He killed for gold... He killed for his woman... He killed for himself!"

"Django! A new, ruthless, violent film! Featuring a great new star... Franco Nero! And a great supporting cast!"

"Django. An audacious man of action, capable of a tender, hopeless love which could only last a day... But a day which was worth all eternity."

"DJANGO - The title of a film you'll never forget!"

"He was pitiless in revenge, quick to decide, and a master of every weapon... a man everybody would liked to have seen dead!"

"Giovanni Ivan Scratuglia (as Ivan Scratuglia) as Klansman #1"

"Simón Arriaga (as Simon Arriaga) as Miguel"

"Gino Pernice (as Jimmy Douglas) as Brother Jonathan"

"Eduardo Fajardo as Major Jackson"

"Ángel Álvarez (as Angel Alvarez) as Nathaniel"

"José Bódalo (as José Bodalo) as General Hugo Rodríguez"

"Loredana Nusciak as María"

"Giorgia Moll — Amina"

"The fantastic deeds... The Incredible daring of the thief who defied an empire!"

"Steve Reeves — Karim"