Translators From Argentina

"It hardly matters why a library is destroyed: every banning, curtailment, shredding, plunder or loot gives rise (at least as a ghostly presence) to a louder, clearer, more durable library of the banned, looted, plundered, shredded or curtailed. Those books may no longer be available for consultation, they may exist only in the vague memory of a reader or in the vaguer-still memory of tradition and legend, but they have acquired a kind of immortality."

"To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft."

"From its very start, reading is writings apotheosis."

"Every library is a library of preferences, and every chosen category implies an exclusion."

"Through ignorance, through faith, through intelligence, through trickery and cunning, through illumination, the reader rewrites the text with the same words of the original but under another heading, re-creating it, as it were, in the very act of bringing it into being."

"The association of books with their readers is unlike any other between objects and their users."

"I know that something dies when i give up my books, and that my memory keeps going back to them with mournful nostalgia."

"Possessing these books has become all important to me, because I have become jealous of the past."

"The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more."

"It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth."

"As we read a text in our own language, the text itself becomes a barrier."

"As centuries of dictators have known, an illiterate crowd is easiest to rule; since the craft of reading cannot be untaught once it has been acquired, the second-best recourse is to limit its scope."

"Most readers, then and now, have at some time experienced the humiliation of being told that their occupation is reprehensible."

"Slothful, feeble, pretentious, pedantic, elitist - these are some of the epithets that eventually become associated with the absent minded scholar, the poor sighted reader, the book worm, the nerd."

"The shelves of books we haven't written, like those of books we haven't read, stretches out into the darkness of the universal library's farthest space. We are always at the beginning of the beginning of the letter A."

"Every text assumes a reader."

"I had done this all by myself. No one had performed the magic for me. I and the shapes were alone together, revealing themselves in a silently respectful dialogue. Since I could bare lines into living reality, I was all powerful. I could read."

"We read to understand, or to begin to understand. We cannot do but to read. Reading almost as much as breathing, is our essential function."

"A society can exist - many do exist - without writing, but no society can exist without reading."

"reading is at the beginning of the social contract"

"I never talked to anyone about my reading; the need to share came afterwords."

"A book brings its own history to the reader."

"I quickly learned that reading is cumulative and proceeds by geometric progression: each new reading builds upon whatever the reader has read before."

"Nothing moves except my eyes and my hand occasionally turning a page, and yet something not exactly defined by the word "text" unfurls, progresses, grows and takes root as I read. But how does this process take place?"

"Augustine's description of Ambrose's silent reading (including the remark that he never read aloud) is the first definite instance recorded in Western literature."

"The American psychologist Julian Jaynes, in a controversial study on the origin of consciousness, argued that the bicameral mind - in which one of the hemispheres becomes specialized in silent reading - is a late development in humankind's evolution, and that the process by which this function develops is still changing."

"In every literate society, learning to read is something of an initiation, a ritualized passage out of a state of dependency and rudimentary communication."

"Socrates affirmed that only that which the reader already knows can be sparked by a reading, and that the knowledge cannot be acquired through dead letters."

"Something about the possession of a book - an object that can contain infinite fables, words of wisdom, chronicles of times gone by, humorous anecdotes and divine revelation - endows the reader with the power of creating a story, and the listener with a sense of being present at the moment of creation."

"At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape."

"In our day, computer technology and the proliferation of books on CD-ROM have not affected - as far as statistics show - the production and sale of books in their old-fashioned codex form."

"Books read in a public library never have the same flavour as books read in the attic or the kitchen."

"One can transform a place by reading in it."

"I touch your mouth, I touch the edge of your mouth with my finger, I am drawing it as if it were something my hand was sketching, as if for the first time your mouth opened a little, and all I have to do is close my eyes to erase it and start all over again, every time I can make the mouth I want appear, the mouth which my hand chooses and sketches on your face, and which by some chance that I do not seek to understand coincides exactly with your mouth which smiles beneath the one my hand is sketching on you."

"Nada está perdido si se tiene el valor de proclamar que todo está perdido y hay que empezar de nuevo."

"'Ahora pasa que las tortugas son grandes admiradoras de la velocidad, como es natural. Las esperanzas lo saben, y no se preocupan. Los famas lo saben, y se burlan. Los cronopios lo saben, y cada vez que encuentran una tortuga, sacan la caja de tizas de colores y sobre la redonda pizarra de la tortuga dibujan una golondrina.'"

""Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")"

"The snail lives the way I like to live; he carries his own home with him."

"The only true exile is the writer who lives in his own country."

"For the majority of readers, Latin American fantastic literature operates under the tutelage of the great masters: Jorge Luis Borges, Adolfo Bioy Casares, Julio Cortázar and Gabriel García Márquez. However, although few are acquainted with their works, many women began experimenting with this genre well before their male counterparts and were the true precursors of the form, though their names remained on the shelves of oblivion, without the recognition that they deserved. María Luisa Bombal, for example, wrote the fantastic nouvelle, House of Mist (1937) before the famous Ficciones (1944) of Borges, and the Mexican, Elena Garro, wrote Remembrance of Things to Come (1962) before the publication of García Márquez' One Hundred Years of Solitude (1967)."

"Julio was never a regional writer. You could see he was Argentinian, but he was more like Borges, more universal from the very beginning. He didn’t jump from the regionalism, he wrote universally all the time...It’s not that Julio was not very Argentinian, he was very Argentinian but his works were never as local."

"I belong to the first generation of Latin American writers brought up reading other Latin American writers. Before my time the work of Latin American writers was not well distributed, even on our continent. In Chile it was very hard to read other writers from Latin America. My greatest influences have been all the great writers of the Latin American Boom in literature: García Márquez, Vargas Llosa, Cortázar, Borges, Paz, Rulfo, Amado, etc."

"I was influenced by all of them-by García Márquez, by Carlos Fuentes, Jorge Luis Borges, Julio Cortázar, José Donoso, so many of them-some of my own generation, like Eduardo Galeano. It's easy for me to write because I don't have to invent anything. They already found a voice, a way of telling us to ourselves, so it's easy."

"I have a commitment to many of my major characters who have brown skin. That's a commitment to the story of a different character that you're not used to seeing in literature. In Julio Cortázar's work, for example, I can deal with his Latin American history, I can deal with the language, but his women have white, porcelain skin. They're Argentine, probably from a European background."

"One of the first people I read was García Márquez and One Hundred Years of Solitude when I was about nineteen or eighteen. And Julio Cortázar. I read all of Jorge Amado. I can tell you I read everybody and everything. And they would drive me nuts! But I was compelled to it. I was driven to the mechanics of what they were doing...I read and reread Julio Cortázar to try to learn from the writer the labyrinth of his style...I think he is one of the best examples of playing with time. When I was going to write The Mixquiahuala Letters I was twenty-three, and I had this idea about playing with time-that time was fluid-and I mentioned this project to a friend of mine, who was getting his Master's in Spanish literature, and he said that's already been done!"

"Cortázar…whom I admire deeply, I met much later in my life...Cortázar is the one who is closest to my way of understanding the act of writing. And nearer to my heart. I admire Carlos Fuentes on the opposite extreme of the equation. That is why I wrote a book on both of them, Entrecruzamientos: Cortázar/Fuentes."

"Cualquiera que no lea a Cortázar está condenado. No leerlo es una seria enfermedad invisible que, con el tiempo, puede traer consecuencias terribles. Semejante en cierto modo al que nunca ha saboreado un durazno, el hombre se volverá calladamente más triste, notablemente más pálido y es probable que, poco a poco, acabe perdiendo todo el pelo."

"'Andábamos sin buscarnos pero sabiendo que andábamos para encontrarnos.'"