"In 1957, a critic referred to Ruby Braff as ‘the 30-year-old traditional trumpet player’. The description implies the slightly barbed subtext that dogged Braff in his early days. What business did a young jazz musician have cultivating an old-fashioned style when his contemporaries were all going in the heady new directions of bebop? But Braff’s status was made even more complicated because he also rejected the approved reaction against bebop, the deliberate archaism of ‘trad jazz’. To Ruby, the real jazz tradition was the kind of rich, melodic invention effortlessly embodied by the star soloists of the swing generation, leading back to Louis Armstrong."

"Let tyrants shake their iron rod, And Slav'ry clank her galling chains, We fear them not, we trust in God, New England's God forever reigns."

"Yeah, I like it when the girls stop by in the summer. Do you remember? Do you remember, when we met that summer? New Kids On The Block, had a bunch of hits. Chinese food makes me sick and I think it's fly when girls stop by for the summer... Think about that summer and I bug, because I miss it."

"I became a vegetarian many years ago after listening to The Smiths’ ‘Meat Is Murder.’ It opened my eyes to the painful lives of animals raised for food, and I knew I wanted no part of that."

"It has now become a very common sentiment, that there is some deep and radical wrong somewhere, and that legislators have proved themselves incapable of discovering, or of remedying it."

"Anarchism had been connected to communitarianism in the United States since the days of Josiah Warren...Warren's failures were the failures of a generation. Communitarianism as a movement was moribund by the 1860s. An urbanizing, industrializing society that was coming to depend on large-scale organization had little space left, physically or psychologically, within which men and women could secede from the larger community and at the same time believe that they were creating a new social order that would eventually dominate the entire society. Nevertheless, despite the disintegration of communitarianism in practice, the idea of communalism retained a powerful hold on the minds of many Americans. This was particularly true in the last decade and a half of the nineteenth century."

"Liberty, then, is the sovereignty of the individual, and never shall man know liberty until each and every individual is acknowledged to be the only legitimate sovereign of his or her person, time, and property, each living and acting at his own cost."

"Public influence is the real government of the world."

"The necessity of every one paying in his own labor for what he consumes, affords the only legitimate and effectual check to excessive luxury, which has so often ruined individuals, states, and empires; and which has now brought almost universal bankruptcy upon us."

"The circulating medium being issued only by those who labor, they would suddenly become invested with all the wealth and all the power; and those who did not labor, be they ever so rich now, would as suddenly become poor and powerless."

"My purpose is to create music not for snobs, but for all people, music which is beautiful and healing. To attempt what old Chinese painters called 'spirit resonance' in melody and sound."

"We are in a very dangerous period. We are in danger of destroying ourselves, and I have a great fear about this…The older generation is ruling ruthlessly. I feel that this is a terrible threat to our civilization. It's the greed of huge companies and huge organizations which control life in a kind of a brutal way…It's gotten worse and worse, somehow, because physical science has given us more and more terrible deadly weapons, and the human spirit has been destroyed in so many cases, so what's the use of having the most powerful country in the world if we have killed the soul. It's of no use."

"The greater the emotional intensity, the greater the simplicity."

"I propose to create an heroic, monumental style of composition simple enough to inspire all people, completely free from fads, artificial mannerisms and false sophistications, direct, forceful, sincere, always original but never unnatural. Music must be freed from decadence and stagnation. There has been too much emphasis on small things while the great truths have been overlooked. The superficial must be dispensed with. Music must become virile to express big things. It is not my purpose to supply a few pseudo intellectual musicians and critics with more food for brilliant argumentation, but rather to inspire all mankind with new heroism and spiritual nobility. This may appear to be sentimental and impossible to some, but it must be remembered that Palestrina, Handel, and Beethoven would not consider it either sentimental or impossible. In fact, the worthiest creative art has been motivated consciously or unconsciously by the desire for the regeneration of mankind."