"Well the Marvel guys have a system that works really well and it’s the way that I wish the studios worked. They hire a filmmaker and they understand the film that the filmmaker wants to make and then they help them make it. If there is anything that does not fit into the Marvel Universe, they will say, “You are going slightly outside of the lines here.” In CAPTAIN AMERICA there wasn’t anything that they were uncomfortable with. It’s all based on the character of Steve Rogers and who this guy is. He’s this kid who is constantly rejected, he wants to fight for his country, nobody wants him… That’s the heart of the story. As long as you don’t mess with that template, you can pretty much do anything. They let me add stuff that was hugely expensive, but it related to the story and it helped tell the story. The whole thing with zip lining down to the train was not in the original script at all and that whole sequence just needed something to sort of give it an action beat to start it. There were all kinds of stuff like that. They let me do all kinds of things that were not in the script, were not probably in the budget, but they could also recognize that “Hey that is making the story cooler. Let’s do it.” It was really great. It was like a dream job in a way. They were very supportive."