Beth Brant

"words are sacred"

"Mother, I am gay. I have AIDS." The telephone call that it almost killed him to make. The silence. Then, "Come home to us."

"The old women are gathered in the Longhouse. First, the ritual kissing on the cheeks, the eyes, the lips, the top of the head; that spot where the hair parts in the middle like a wild river through a canyon. (beginning of "Native Origin")"

"It has been two days since they came and took the children away. My body is greatly chilled. All our blankets have been used to bring me warmth. The women keep the fire blazing. The men sit. They talk among themselves. We are frightened by this sudden child-stealing. We signed papers, the agent said. This gave them rights to take our babies. It is good for them, the agent said. It will make them civilized, the agent said. I do not know civilized. (from "A Long Story")"

"Two-Spirit writers are merging the selves that colonialism splits apart."

"Homophobia is the eldest son of racism; they work in concert with each other, whether externally or internally. Native lesbian writing names those twin evils that would cause destruction to us."

"I look on Native women's writing as a gift, a give-away of the truest meaning. Our spirit, our sweat, our tears, our laughter, our love, our anger, our bodies are distilled into words that we bead together to make power. Not power over anything. Power. Power that speaks to hearts as well as to minds."

"I am tired of hearing Virginia Woolf and Emily Dickinson held up as the matriarchs of feminist and/or women's literature. Woolf was a racist, Dickinson was a woman of privilege who never left her house, nor had to deal with issues beyond which white dress to wear on a given day. Race and class have yet to be addressed, or if they are discussed, it is on their terms not ours"

"Oral tradition requires a telling and a listening that is intense, and intentional. Giving, receiving, giving-it makes a complete circle of Indigenous truth. First Nations writing utilizes the power and gift of story, like oral tradition, to convey history, lessons, culture and spirit. And perhaps the overwhelming instinct in our spirit is to love. I would say that Native writing gives the gift of love. And love is a word that is abused and made empty by the dominant culture. In fact, the letters l-o-v-e have become just that, blank cyphers used frivolously to cover up deep places of the spirit."

"Beth Brant gave us Indigenous feminism and Indigenous queer theory even before we had a name for these practices, all wrapped up in the most beautiful storywork."

"Beth saw her writing as an enacting of responsibility-the responsibility to help bring us all to the knowledge of how to live with integrity, as good human beings: in balance, centered in the heart's knowledge, hopeful, not vengeful, not small, but with generosity. Whether she achieved this in her own life to her own satisfaction, I don't know, and it is not mine to say. But in my view, that is where her writing is meant to take us: to ignite the imagination, to provide it with a kind of knowledge about how to care about those who suffer, and about how to walk in one's full posture, in a sacred way, looking at the world with vision."

"Her life was too short, like so many of our people. Colonial poverty and oppression took away some of our best sons and daughters. Beth left early, but she had accomplished so much. She inspired a generation of two-spirited authors who followed her to publication. There would be not have been a Johnny Appleseed without there first being a Beth Brant. There would have been no Connie Fife without Beth Brant. There would be no I Am Woman without Beth Brant. We were feminists when everyone objected. Feminism is a white thing, they said. Beth's response, so is patriarchy, and then she told us about the friendship between Elizabeth Cady Stanton and an Iroquoian woman that sparked the suffragettes - made sense to me."

"Beth had an understanding of the road to freedom, the path to love, and the story we would have to create to get there. The pearls in her stories lie in a shell of words that need only to be opened; read Beth's work and we can all come together, transgendered, heterosexual, homosexual, lesbian, fluid gendered, disabled, and abled, white, and non-white. We do not have to be stuck where corporate colonialism consigned us. There was room for everyone in Beth's heart. We can reach out and resist. The world is ours; we just need to go get it. This was Beth's philosophy."

"Beth Brant is a writer of great depth and brilliant talent."

"For the Native, queer, feminist, literary world: Beth is a home, reminding us that we are not alone in our movements towards liberation."