historical-novels

"Black Robe is an historical novel, in a way, but it doesn't give you the heavy padding that historical novels do. They do a lot of research and then they must put the research in. I don't believe in that. Do a minimum of research, and then keep it out. Don't let it impede the story."

"Those who put the historical novel in a category apart are forgetting that what every novelist does is only to interpret, by means of the technique which his period affords, a certain number of past events; his memories, whether consciously or unconsciously recalled, whether personal or impersonal, are all woven of the same stuff as history itself."

"His is a mind brooding over antiquity—scorning "the present ignorant time." He is "laudator temporis acti"—a "prophesier of things past." The old world is to him a crowded map; the new one a dull, hateful blank."

"All the time I was at work on the Two Cities, I read no books but such as had the air of time in them."

"Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen."

"I am fully sensible that an historical romance, founded on the House of Saxe Coburg, might be much more to the purpose of profit or popularity than such pictures of domestic life in country villages as I deal in. But I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter."

"‘I never heard of a pimp being elected mayor nor even of one who bothered to vote, so why blame them for the way things are? They weren't the ones who made the laws that let the trade go on. If nobody wanted there to be pimps, honey, there wouldn't be no pimps. Isn't it strange that it's the very ones who say we're a public disgrace who pay us best? You know yourself that it's the ones from the Department who come down early on Saturdays to holler, “Bring us two women and a bottle!” ’ / ‘What's wrong about two women and a bottle?’ Hallie asked, just to find out. / ‘Honey, there's nothing wrong with two women and a bottle, or three or four women and a whole case, so long as you don't sneak it and preach against it the next day.’"

"‘My line of work, as you may have guessed, Tex, is women. Do you know anything about them?’ / ‘I know that if God made anything better I aint come across it yet, but that's as far as my knowledge goes.’"

"That nothing could lower human dignity faster than manual labor was understood. ‘Go get yourself a lunch bucket and get back in your ditch’ was the ultimate insult on Perdido Street."

"Sometimes one of his glasses was full, sometimes both. In the bar mirror faces of people watched him too steadily. Along the bar faces of dolls watched the people. Faces of people and faces of dolls and his glass was full again. He had come to find somebody whose name was right on the tip of his tongue but just at that moment the juke began playing something about saints marching in. The people began marching behind the saints and the dolls behind the people as Dove began marching too. Where bells were ringing, trains kept switching, saints were marching, time was passing and his glass was full again."

"‘Dear friends and gentle hearts,’ [the King of the Turtles] wigwagged, feeling the final cold creep up – ‘Will you stand by to leave your old friend die? I wanted nothing for myself – money, comfort, power, security – I worked for these only because those dear to me wanted them. (Of course, as long as they were handy I shared them from time to time.) Would you really leave me here to die? / True, I ate well. But that was only to keep up my strength for the sacrificial ordeal of my days. For I never knowingly harmed a fellow creature unless he got in my way. I never took unfair advantage unless it profited me. Can you really leave so lovely a turtle to die? / A devoted father, a loyal citizen, a faithful employee, a kind employer, a considerate neighbor, a regular church-goer. Out of purity of heart I respected the laws of God and man. Purity, and fear of jail. Could you really stand by and watch so saintly a turtle die? / I seemed a bit intent a moment ago, you say, on grinding my brothers' necks to gristle? I confess – but that was a moment ago, and now I've changed my ways. Could you bear to see such an open-minded turtle die?’"

"He came to an intersection where one road led to town and the other away. The town road was festooned, street lamp to street lamp, with welcoming pennants; it was wide and newly paved. The other was lampless and pennantless and plainly led nowhere at all. Without hesitation Dove chose the nowhere road. For that was the only place, in his heart of hearts, that he really wanted to go."

"Good girls and bad carried on so much alike, in the cheery old summer of 1931, a Yankee might well have been deceived. / The Southern boy was a bit harder to fool. The moment he saw a girl behind a door screen naked to her navel and lifting her breasts, he sensed something was up. When she did a slow spread-legged grind and threw in a blinding bump for good measure, he suspected it wasn't free. When she opened the door and said, ‘Step in, I don't bite,’ he went in, of course, out of simple courtesy. But he wasn't fooled: she was after his money, that was all. No, it wasn't easy to fool a Southern boy any summer."

"Finnerty closed the door behind him and dropped the key into his pocket. ‘You know I'm not without help, little baby,’ he warned her. / ‘I don't plan to cut you,’ Hallie told him quietly. ‘I got cut once myself. I won't scratch you because I don't like to see a man walking around with scratches on his face. I won't throw acid in your eyes because it makes me sorry to see a blind person. All I'll do is kill you where you stand. If you get through the door I'll kill you on the stair. If you make the stair I'll kill you in the parlor. If you make the street I'll kill you on the curb. I'll kill you in the alley. I'll kill you in God's House. I'll kill you anywhere.’ / Finnerty stood with his head slightly bent, his brow lined by doubt. / ‘Did you lose something, Oliver?’ / ‘My key,’ he told her, ‘I lost my key.’ / ‘My key I take it you mean.’ / ‘Your key.’ / ‘It's laying in your cuff. You got a hole in your pocket. Bring your pants up later and I'll make you a new pocket.’"

"The Southern nights grew cooler. The rain came every day. / Long after Hallie had gone to bed one night Dove sat alone on their balcony. Every time a breeze from the river passed, another of the lights below went out, till it seemed the breeze was blowing them out. When the windows both sides of the streets were darkened he turned up the lamp in the small room where she slept. / Across her face a shadow lay, leaving her mouth defenseless to the light. She slept on not knowing how the river breeze had just blown out the last of the lights. Nor how the rainwind was making their room cooler than before. / Nor yet how softly now the night traffic moved two stories down. And how all the anguish he had felt for his ignorance was gone for the first time in his life. And nothing mattered, it seemed in that moment, but that this woman should sleep on, and never know that the wind was blowing out the lights. / Somewhere in the court below someone began playing a piano softly, as though fearing to waken her."

"Whatever it was Floralee had done to make her think God could no longer bear her, it didn't of necessity follow that He was the one who phoned for the Hurry-Up. / One moment the juke was beginning Please Tell Me How Many Times, the next the parlor was full of the boys in blue and someone smashed the glass of the juke – [...] / Where was Five when the box was smashed? Galloping from door to door in nothing more than her earrings and a bath-mat, hollering ‘Get them guys out!’ And rushing three tricks down the hall with their pants in their hands in as much of a hurry not to be witnesses as Five was anxious to prevent them. She shoved one out a window, another walked past a nabber with a bill in his hand, and the same nab said to another – ‘Uncle Charlie!’ And let him pass. / Where was Mama when the juke glass went? Studying a twenty-two-hundred-dollar receipt for down payment on a house and lot, six kennels and a pair of Doberman pinschers; and having her first misgivings. / Where was Finnerty when all this transpired? In a single-motor plane with two thousand two hundred in fives and tens, on his way to Miami to get his armpits tanned."

"Because the air was so close, the whiskey so bad, the prices so high and the place so hard to climb up to, everyone came to Dockery's Dollhouse night after night while other bars stayed empty. / Everyone came, that is, but the law. To this lopsided shambles, where the floor slanted slightly, no police ever came. When the big hush fell that meant trouble was starting, the old man drew the shutters until the trouble was done. / The old man had himself never fought another man in his life – yet he took a senile pleasure in watching others go at it. He pretended that it was the manly thing, to ‘let them fight it out’ – but the titillating joy he took when the first blood flowed was a womanish delight."

"It was that slander-colored evening hour before the true traffic begins, when once again sheets have been changed, again Lifebuoy and permanganate have been rationed; and once again for blocks about, pouting or powdering or dusting their navels, each girl wonders idly what manner of man – mutt, mouse, or moose – the oncoming night will bring her. / Perdido Street, in the steaming heat, felt like a basement valet shop with both irons working. The girls in the crib doors plucked at their blouses to peel them off their breasts. In the round of their armpits sweat crept in the down. Sweat molded their pajamas to their thighs. The whole street felt molded, pit to thigh. It was even too hot to solicit. For normal men don't so much as glance at the girls in heat like that lest the watery navels stick. / Yet the very heat that enervates men infects women with restlessness and the city was full of lonesome monsters. Side-street solitaries who couldn't get drunk, seeking to lose their loneliness without sacrificing their solitude. Dull boys whose whole joy expired in one piggish grunt. Anything could happen to a woman available to anyone. Boredom of their beds and terror of their street divided each."

"When they came to the monkey house he stopped dead. In one cage a hairy little character was banging his knuckles on his girlfriend's skull to make her climb a tree for some special purpose all his own. / ‘Why! There's [a pimp] and [his whore]!’ Dove called to Hallie in real glee, and pitched popcorn at [the pimp]. Then of a sudden it didn't seem so funny after all, and they moved on."

"In the middle of the first act the boat was caught in a wash and the whole stage tilted a bit. It was by this time obvious to the front rows that Othello, with a bad job of makeup, was tilting slightly on his own. But retained sufficient presence of mind, when he needed to lean against the air, to bear against the tilt of the stage rather than with it. By this instinctive device Othello held the front rows breathless, wondering which way he'd fall should he guess wrong."

"Then pressing his finger hard into Dove's chest – ‘You know who he meant by that “joy-of-your-trade” crack? You, that's who. You don't have to take it, Tex. I'm back of you.’ [...] ‘And when I back a man I back him all the way. For as you know, Finnerty don't fight. He just kills and drags out.’"

"The pianola roll whispered on and on, it had not happened to him before so heart-shakingly as this. / And the moon that could never wane dimmed down to no more than a gas lamp's leaning glow. Drinkers and dancers, gaffers and gamblers, all had gone. / Out in the sand and the Spanish Dagger, in chaparral-pea and honey-mesquite where under the thorn the horned toad waits, the prairie dog slept in his burrow. White bones bleached in the sun. Before the music was over; before the dancing was done. / And a little wind went searching in circles to ask, Where had those lovers gone before the dance was done? / All was well. They had breathed each other's breath. All was well: they had drunk of each other's lips. / All was well, for what was dust had when living been loved."

"When opening time was closing time and everyone was there, down where you lay your money down, where it's everything but square, where hungry young hustlers hustle dissatisfied old cats and ancient glass-eyed satyrs make passes at bandrats; where it's leaping on the tables, where it's howling lowdown blues, when it's everything to gain and not a thing to lose – when it's all bought and paid for then there's always one thing sure: it's some Do-right Daddy-O running the whole show."

"When we get more houses than we can live in, more cars than we can ride in, more food than we can eat ourselves, the only one way of getting richer is by cutting off those who don't have enough. If everybody has more than enough, what good is my more-than-enough? What good is a wide meadow open to everyone? It isn't until others are fenced out that the open pasture begins to have real value. What good is being a major if you can't have more than a second lieutenant? What good is a second lieutenant for that matter?"

"When his eyes had got used to the deep-sea light he discerned a Negro the size of Carnera, naked to the waist and shining with iron-colored sweat, decapitating snapping turtles with silvered precision. / Now the trouble with turtles is that they believe all things come to him who will but struggle. There's always room at the top for one more, they think. And in this strange faith the snapping kind is of all the most devout. For it's precisely that that makes them the snapping kind. Though the way be steep and bloody, that doesn't matter so long as you reach the top of the bleeding heap. / [...] / Dove didn't hesitate. ‘I'll take the tarpon soup.’ / He didn't yet know that there was also room for one more at the bottom."

"In the cheery old summer of '31 some states were dry and some states were wet. [...] / The Ladder of Success had been inverted, the top was the bottom, and the bottom was the top. Leaders of men still sporting gold watches were lugging baby photographs door to door with their soles flapping. Physicians were out selling skin lighteners and ship captains queued in hope of a cabin boy's mop and pail. / Offices of great fire insurance companies went up in smoke, which seemed no more than just. When the fire department – long unpaid – cleared off, little remained but scorched files, swivel-chairs on which no one would ever swivel again, lovely heaps of frosted glass, and all that mahogany. / All that mahogany that hadn't helped anybody but brokers after all. Then the brokers began jumping off rooftops with no greater consideration for those passing below than they'd had when their luck was running. Emperors of industry snatched all the loose cash on which they could lay hand and made one fast last run. Lawyers sued one another just to keep in practice."

"‘When you start hitting toward sixty,’ Gross complained, ‘you feel some days like you want to take a cab to the graveyard and wait for your maker beside your stone. Yet when you've not had an hour's true contentment out of all those sixty years, you don't want to lay down till you've had your hour. You want something for all your pain.’"

"That was no town for the aged or the aging. There was love behind the curtains and love behind the doors. Love in the squares and circles and love along the curbs. / Particularly along those curbs west of the Southern Railway Station. Where every window framed some love bird lamed in flight. Where every screen door was a cage. What had been Storyville was now an aviary. / [...] / From wheatland and tenement, hotel and harbor, girls and women of a hundred feathers had come to nest both sides of South Basin. Girls downy as chicks who have just lost their mammas and chorus-line dolls who had long lost their down. Girls who came scolding like winter jays, ruffing their tail feathers and ready for battle. But some like little wrens of summer, seeking hollows to hide in forever. / [...] / Birds of a hundred varied feathers, hooters, hissers, howlers, quackers – it was a new kind of zoo wherein the captured foraged for themselves."

"Finnerty, who looked like one of those little Australian foxes with ears half the length of its body, claimed to be five foot but had to be wearing his cowboy boots to make good the boast. / [...] / Oliver owned five women, a single-motored plane and a captive mouse. He claimed to be the first pander in the entire South to transport women by plane. A claim making every single one of the five proud of their five-foot daddy."

"Until a girl had relinquished every claim but those to basin, bed and towel, you couldn't trust her. You couldn't trust her until she had forgotten it was money she was working for. It took a man years of dedication to bring a girl to that. Only when he had madams sending him cash – no money orders – from half a dozen parts of the country might it be truly said of a man that he was a good pimp. / Finnerty's talent lay in his limitless contempt for all things female. He treated women as though they were mindless. And in time they began to act mindlessly."

"Hallie stood quite still, pitying the power that could not be contained. And after a while smiled down, stroked his hair and agreed as with a child: yes, it was all the fault of his stumps. / To such tenderness he reacted like an enormous cat. And rolled within his massive arms, pressed to the great cave of his chest, his lion's breath against her breast, she felt his passion relentlessly driving. And then it was as though no man till Legless Schmidt had possessed her. / [...] / Schmidt had never felt a woman like that before. With him it was as if he had never had a woman completely till Hallie. Only with her, not until her, never at any moment except those with her was he a man, able, loved, possessing and possessed – his own true man again. / In her he spent a lifetime's wrath. In him she too lived once more. Nine Christmases she had been buried, and twice that many for him. And with each time together, each lived a little while again."

"‘The poorer people are the more likely they are to help you,’ Kitty told him the next morning after they had once again left engine and cars in charge of the crew. ‘Pick the first unpainted shack you see.’ / She followed Dove into a littered yard and waited while he rapped the door of a knocked-together-by-hand house the color of soot. A soot-colored wife came to answer."

"He felt her cold little lips and her small cold mouth, her little cold hands that felt so greedy. / ‘Daddy, you'll never have to work,’ Kitty Twist told Dove. ‘I'll work hard 'n give you all my money.’ / He couldn't see her smiling too knowingly in the dark. / [...] / ‘Red, what I'm trying to say is I'll hustle for you if want me to.’ / ‘I'll hustle for you too,’ he promised. / ‘My God,’ the girl thought, ‘he thinks I mean I'm going to be a shoe-clerk for him. I'm going to have to straighten him out till there's nothing left but kinks.’"

"Down in Houston's Mexican slum there stood, that June of '31, a three-story firetrap with a name: H O T E L / That's all: Hotel Hotel. / ‘Never did try sleepin' in a skyscraper afore,’ Dove looked up – ‘Whut do it costes here?’ / ‘Thirty-five cents apiece,’ Kitty informed him, ‘and some places go yet higher.’ / ‘In that case,’ Dove decided, ‘we'll have to find an inexpensive place.’ / ‘We get breakfast throwed in here though.’ / ‘What gits throwed?’ / ‘Mission donuts 'n coffee black.’ / ‘Then we're too far north.’ / Kitty tried to let it go but the temptation was too strong. / ‘How do you figure that, Red?’ / ‘When folks stop puttin' out liverpuddin' for breakfast, everyone's too far north.’"

"‘Why, I got a daddy friend don't take a dime off me. He buys me things. He's going to buy me a Cadillac so long I'll have to back up to turn a corner.’ Whatever Fort Worth's real name was, no one ever called her anything but Five, to honor a navel formed to that figure. When asked to show her wonderful navel she would show it, sweetly and simply, just like that. Men pinched her bottom, yet she did not hold herself proudly just because of that. / No chicken farm story was likely to catch Five. She had been brought up on one, and had had enough of that. Yet she was wide open to the Cadillac story, which was nothing more than the chicken farm story on wheels. / Oh, that long easy rider with the real careful driver. When promises would buy Cadillacs, Five would own a whole fleet. / Until that time Five would go on her feet."

"The courts were against them, the police were against them, businessmen, wives, churches, press, politicians and their own panders were against these cork-heeled puppets. Now the missions were sending out sandwich men to advertise that Christ Himself was against them."

"Mama had lost the thread. All she could remember was that she had four husbands. / ‘Three of them were thieves and one was a legit man – I'd never marry another legit man. Did you know that a prize fighter is more gentle than other men, outside the ring? That's because he knows what a man's fists can do. Do you know that you're safer living with a man who kills for hire than with a man who has never killed? That's because one knows what killing is. The other don't.’ / ‘Why,’ Navy remarked, ‘in that case ill-fame women ought to make better wives than legitimate girls.’ / Again that odd little silence fell. Nobody knew what to say to that. / ‘Navy, I think that's the nicest thing I've heard anyone say since I've been in the trade,’ Hallie said – [...]"

"Long after midnight old lonely trains called up to Mama like lovers forever arriving too late for love. Up from the long grieving river they called, past track and tower and dock, to windows long darkened and doorways long locked; old beaux that had walked Perdido Street long ago, returning to mourn the names of girls they had loved. They had plenty to spend and all night for loving. But the windows were darkened, the doors were locked, and the only girls whose names they knew had no name now but dust."

"‘Un-utter-uble sorrows is in store for all,’ he gave his holy word – a Santa Claus with nothing save horrors in his sack, hollowing every syllable to make Hell so imminent they could scarcely await their turn on the spit. ‘Un-utter-uble sorrows! Un-dying Damnation! Ut-ray-jus visi-tay-shuns! Invasion by an army! A army of lepers! [...]’ / Oh, they loved those leper mounties so they scarcely knew which side to join first. It didn't matter: no cause was too mad so long as the action was fast and the field bloody. Swept, they were swept by the enormous loneliness of their lives up to the very gates of the golden city, then swept clear back to the burning plains of Damnation. An action so fast it permitted no moment wherein to take breath and look within. To look within at their own hearts, so dark so empty just as hearts. [...] / ‘How about New York?’ some people never wanted to go anywhere alone. / ‘Buried in a rain of toads! Toads big as cats to Wall Street's topmost tower!’ / Wall Street had all the luck."

"‘If we had such good good generals and all of that, how come we got whupped, Hallie?’ / ‘North had more guns. Go to sleep, Dove.’ / But in the big blue middle of the night she felt a nudge. / ‘Why, in that case it weren't a question or right makin' might after all. It was more a matter of might makin' right.’ / ‘Might makes might,’ she murmured sleepily. / ‘Yes, but how I look at it,’ he made one more ageless decision, ‘the reason the North got most guns was because they had the right to start. What I fail to understand is how come it taken them four years to whup a bunch with such a sorry cause as ourn.’"

"A single iron-colored owl waited in the shadows of noon like a dream waiting only for nightfall to be dreamt. And a scent of decay blew off him, as though he were rotting under his feathers. / To watch where the elephant, crowned with children, swayed as he walked to excite the children. He looked like a great fool of a child himself. Yet he bore the weak upon his back."

"Toward evening a small breeze came up and began blowing the minutes away until it was time to go. / As they left they passed once again the prisons where the wolves lay sentenced, though now their fur had been damped by winter's first rain. Where still the summer foxes paced made even more restless by the changeful weather. / And still the obedient elephant went bearing children on its back, swinging its trunk like an orchestra leader conducting an old-fashioned waltz. / Where the white-maned merry-go-round stallions raced, one a nose ahead, then the other, then coasted when the music-box stopped. / The homesick lion roared for home. The iron-feathered owl waited only for night to wing soundlessly into people's dreams and be back in his tree by morning. / [The brutal monkey]'s girlfriend, trapped out on a limb too fragile for him to follow, whimpered between fear of falling and fear of [him]. / In the haysmelling dark the quick gazelle tiptoed, rehearsing forever some animal's ballet in which she was sure to be the leading lady. / Deep in the primeval stone the ancient bear had curled, and this time would not be seduced outside for peanuts or people, Devil or daughter. / So they turned back at last to those streets whereon the wildest beast of all roamed free."

"YOU ARE NOW ENTERING ARROYO / Pop. 955 / A statistic that didn't include the Mexican woman whose residence was just far enough beyond it to keep her free of local taxes. Whose own way home, eleven months of twelve, was up a flight of careworn stairs to a room guarded only by the Virgin Mary. / Terasina Vidavarri slept within a double ruin. Within the wreck of her own hopes, inside what was left of the Hotel Crockett. The last guest had left and all along the long uncarpeted hall, the doors, like her own soul's door, were boarded on both sides. / [...] / ‘It is lucky to love any time, for then you have someone to live for,’ Terasina thought, ‘but if you are not in love that is lucky also. Because then you have no problem.’"

"‘But,’ Finnerty inquired coolly, ‘Didn't it take some time to get used to being smaller than other people after you'd been the biggest thing in sight for so long?’ [...] Finnerty's tone was serene. ‘I don't pretend to compete with you. But Stoodint here now is something else – he'll out-stud any man alive, Big Dad.’ / Schmidt turned on Dove with a swerve of his wheels. ‘Can you do anything I can't do better, bum?’ / ‘I can't do lots of things even able-bodied men can do, mister,’ Dove hurried to say; and even to his own ears that didn't sound quite right. / ‘For example,’ Finnerty helped him, ‘he could never get work as THE LIVING HALF.’"

"A walk on the wild side."

"Cotton grew, fruit grew, oil gushed a year and dried. Before it dried Fitz put in a year as a gaffer, made good money and found his girl. A girl who had thought herself rough enough. / Cotton failed, fruit failed – oil had spoiled the soil. It became a country of a single crop, and the crop was dust. Fifteen years of it did the girl in, feeling she'd had enough of oil."

"Her breath began drawing slower, soot and sleep sealed her eyes. / Her face in sleep looked furtive yet innocent, like one already punished for a crime she hasn't grown up to commit. When she was old enough to commit it she'd find it."

"Three shots of corn likker and the whole stuffed zoo – Moose, Elks, Woodmen, Lions, Thirty-Third Degree Owls and Forty-Fourth Degree Field Mice begin to conspire against the very laws they themselves have written. / It was all right to take a slug of whiskey from your own flask in a taxi, but forbidden on a trolley-car. That didn't help those who rode trolley-cars. You couldn't carry liquor down the street, but if you owned a car you just bypassed that. For every statute they had a little loophole – that by coincidence fitted their own figures as if measured for them. Those who had no hand in writing statutes – panders and madams and such as that – had a harder time squeezing through. / It was an ancestral treachery that all do-righters practice."

"It was night bright as day, it was day dark as night, but stuffed shirts and do-righties owned those shows. / For a Do-Right Daddy is right fond of money and still he don't hate fun. He charged the girls double for joint-togs and drinks, rent, fines, towel service and such. But before any night's ball was done, he joined in the fun. / Later he had to be purged of guilt so he could sleep with his wife again. That was where the pulpit came in. There had to be something official like that to put the onus on the women. The preachers, reformers, priests and such did this work well. Some girls were just naturally bad, they explained. Others were made bad by bad men. In no case was it ever the fault of anyone who profited by the shows. Daddy, you can go home again."

"All he recalled clearly was opening the door the next morning and seeing a veil of mist so blue it blurred the outlines of house, hill and tree. And as the morning warmed the whole big blue world began to smoke faintly. / Louisiana. / In the long afternoon the clouds stacked. And still, over it all, that pale shifting veil. / A real southland haze in which one sees whatever one wishes to see. A haze that seeps behind the eyes and makes a wish-dream of everything."