Henry Adams

"A period of about twelve years measured the beat of the pendulum. After the Declaration of Independence, twelve years had been needed to create an efficient Constitution; another twelve years of energy brought a reaction against the government then created; a third period of twelve years was ending in a sweep toward still greater energy; and already a child could calculate the result of a few more such returns."

"I disagree with my brother Charles and Theodore Roosevelt. I think that Lee should have been hanged. It was all the worse that he was a good man and a fine character and acted conscientiously. These facts have nothing to do with the case and should not have been allowed to interfere with just penalties. It's always the good men who do the most harm in the world."

"Man has mounted science, and is now run away with. I firmly believe that before many centuries more, science will be the master of men. The engines he will have invented will be beyond his strength to control. Someday science may have the existence of mankind in its power, and the human race commit suicide, by blowing up the world."

"I turn green in bed at midnight if I think of the horror of a year's warfare in the Philippines ... We must slaughter a million or two foolish Malays in order to give them the comforts of flannel petticoats and electric railways."

"We never despised the world or its opinions, we only failed to find out its existence. The world, if it exists, feels exactly in the same way towards us, and cares not one straw whether we exist or not. Philosophy has never got beyond this point. There are but two schools: one turns the world onto me; the other turns me onto the world; and the result is the same. The so-called me is a very, very small and foolish puppy-dog, but it is all that exists, and it tries all its life to get a little bigger by enlarging its energies, and getting dollars or getting friends."

"For reasons which many persons thought ridiculous, Mrs. Lightfoot Lee decided to pass the winter in Washington. She was in excellent health, but she said that the climate would do her good."

"Who, then, is right? How can we all be right? Half of our wise men declare that the world is going straight to perdition; the other half that it is fast becoming perfect. Both cannot be right."

"I have faith; not perhaps in the old dogmas, but in the new ones; faith in human nature; faith in science; faith in the survival of the fittest. Let us be true to our time, Mrs. Lee!"

"I have got so far as to lose the distinction between right and wrong. Isn't that the first step in politics?"

"She regarded men as creatures made for women to dispose of."

"...any woman will, under the right conditions, marry any man at any time, provided her "higher nature" is properly appealed to."

"The audacity of the man would have seemed sublime if she had felt sure that he knew the difference between good and evil, between a lie and the truth; but the more she saw of him, the surer she was that his courage was mere moral paralysis, and that he talked about virtue and vice as a man who is colour-blind talks about red and green; he did not see them as she saw them; if left to choose for himself he would have nothing to guide him. Was it politics that had caused this atrophy of the moral senses by disuse? Meanwhile, here she sat face to face with a moral lunatic."

"In this atmosphere of charity, where all faiths were alike and all professions joined hands, the church and the world became one."

"Wharton was captivated by her sweet face, and tried to make her understand his theory that the merit of a painting was not so much in what it explained as in what it suggested."

"An artist must be man, woman and demi-god."

"I know of nothing useful in life except what is beautiful or creates beauty."

"One is a saint or one is not; every man can choose the career that suits him; but to be saint and sinner at the same time requires singular ingenuity."

"This view of the case amused Esther for a time, but not for long — the matter was too serious for any treatment but a joke, and joking made it more serious still."

"Mystery for mystery science beats religion hollow. I can't open my mouth in my lecture-room without repeating ten times as many unintelligible formulas as ever Hazard is forced to do in his church."

"Every one who marries goes it blind, more or less."

"Like most vigorous-minded men, seeing that there was no stopping-place between dogma and negation, he preferred to accept dogma. Of all weaknesses he most disliked timid and half-hearted faith. He would rather have jumped at once to Strong's pure denial, than yield an inch to the argument that a mystery was to be paltered with because it could not be explained."

"Never was the Church blessed with a stranger ally than this freest of free thinkers, who looked at churches very much as he would have looked at a layer of extinct oysters in a buried mud-bank. Strong's notion was that since the Church continued to exist, it probably served some necessary purpose in human economy, though he could himself no more understand the good of it than he could comprehend the use of human existence in any shape. Since men and women were here, idiotic and purposeless as they might be, they had what they chose to call a right to amuse themselves in their own way, and if this way made some happy without hurting others, Strong was ready enough to help."

"I am never afraid of pure atheism; it is the flabby kind of sentimental deism that annoys me, because it is as slippery as air."

"She fell in love with the cataract and turned to it as a confidant, not because of its beauty or power, but because it seemed to tell her a story which she longed to understand."

"...the huge church [...] was thundering its gospel under her eyes.To have Niagara for a rival is no joke. Hazard spoke with no such authority; and Esther's next idea was one of wonder how, after listening here, any preacher could have the confidence to preach again. "What do they know about it?" she asked herself. "Which of them can tell a story like this, or a millionth part of it?""

"As for broken hearts, no self-respecting young woman shows such an ornament at any well regulated breakfast-table; they are kept in dark drawers and closets like other broken furniture."

"She broke in with a question that staggered him. "Does your idea mean that the next world is a sort of great reservoir of truth, and that what is true in us just pours into it like raindrops?" "Well!" said he, alarmed and puzzled: "the figure is not perfectly correct, but the idea is a little of that kind." "After all I wonder whether that may not be what Niagara has been telling me!" said Esther, and she spoke with an outburst of energy that made Strong's blood run cold."

"Some people are made with faith. I am made without it."

"As for myself, if I could have removed my doubts by so simple a step as that of becoming an atheist, I should have done it, no matter what scandal or punishment had followed. I studied the subject thoroughly, and found that for one doubt removed, another was raised, only to reach at last a result more inconceivable than that reached by the church, and infinitely more hopeless besides. What do you gain by getting rid of one incomprehensible only to put a greater one in its place, and throw away your only hope besides? The atheists offer no sort of bargain for one's soul. Their scheme is all loss and no gain. At last both they and I come back to a confession of ignorance; the only difference between us is that my ignorance is joined with a faith and hope."

"Do you really believe in the resurrection of the body?" she asked "Of course I do!" replied Hazard stiffly. "To me it seems a shocking idea. I despise and loathe myself, and yet you thrust self at me from every corner of the church as though I loved and admired it. All religion does nothing but pursue me with self even into the next world."

"Esther looked at him with an expression that would have been a smile if it had not been infinitely dreary and absent; then she said, simply and finally: "But George, I don't love you, I love him.""

"Religious art is the measure of human depth and sincerity; any triviality, any weakness, cries aloud."

"...taste is free, and all styles are good which amuse."

"To feel the art of Mont Saint Michel and Chartres we have got to become pilgrims again."

"Our age has lost much of its ear for poetry, as it has its eye for color and line, and its taste for war and worship, wine and women."

"The nineteenth century moved fast and furious, so that one who moved in it felt sometimes giddy, watching it spin; but the eleventh moved faster and more furiously still. The Norman conquest of England was an immense effort, and its consequences were far-reaching, but the first crusade was altogether the most interesting event in European history. Never has the western world shown anything like the energy and unity with which she then flung herself on the East, and for the moment made the East recoil. Barring her family quarrels, Europe was a unity then, in thought, will and object. Christianity was the unit."

"The outburst of the first crusade was splendid even in a military sense, but it was great beyond comparison in its reflexion in architecture, ornament, poetry, color, religion and philosophy. Its men were astonishing, and its women were worth all the rest."

"Every ounce of food must be brought from the mainland, or fished from the sea. All the tenants and their farms, their rents and contributions, must be looked after. No secular prince had a more serious task of administration, and none did it so well. Tenants always preferred an Abbot or Bishop for landlord. The Abbey was the highest administrative creation of the middle ages."

"The whole Mount still kept the grand style; it expressed the unity of Church and State, God and Man, Peace and War, Life and Death, Good and Bad; it solved the whole problem of the universe."

"Even the discord of war is a detail on which the Abbey refuses to insist. Not till two centuries afterwards did the Mount take on the modern expression of war as a discord in God's providence. Then, in the early years of the fifteenth century, Abbot Pierre le Roy plastered the gate of the Châtelet as you now see it, over the sunny thirteenth-century entrance called Belle Chaise which had treated mere military construction with a sort of quiet contempt. You will know what a Châtelet is when you meet another; it frowns in a spirit quite alien to the twelfth century; it jars on the religion of the place; it forebodes wars of religion; dissolution of society; loss of unity; the end of a world. Nothing is sadder than the catastrophe of gothic art, religion and hope."

"Among the unexpected revelations of human nature that suddenly astonish historians, one of the least reasonable was the passionate outburst of religious devotion to the ideal of feminine grace, charity and love that took place here in Normandy while it was still a part of the English kingdom, and flamed up into almost fanatical frenzy among the most hard-hearted and hard-headed race in Europe."

"The complaint of the French artist against the Norman, is the "mesquin" treatment of dividing his tower into stories of equal height. Even in the twelfth century and in religious architecture, artists already struggled over the best solution to this peculiarly American problem of the twentieth century, and when tourists return to New York, they may look at the twenty-story towers which decorate the city, to see whether the Norman or the French plan has won; but this at least will be sure in advance:— the Norman will be the practical scheme which states the facts, and stops; while the French will be the graceful one, which states the beauties and more or less fits the facts to suit them."

"Even theologians — even the great theologians of the thirteenth century,— even Saint Thomas Aquinas himself — did not trust to faith alone, or assume the existence of God."

"For a first visit to Chartres, choose some pleasant morning when the lights are soft, for one wants to be welcome, and the Cathedral has moods, at times severe. At best, the Beauce is a country none too gay."

"The spire is the simplest part of the romanesque or gothic architecture, and needs least study in order to be felt. It is a bit of sentiment almost pure of practical purpose. It tells the whole of its story at a glance, and its story is the best that architecture had to tell, for it typified the aspirations of man at the moment when man's aspirations were highest."

"First comes the central door-way, and above it is the glory of Christ, as the church at Chartres understood Christ in the year 1150; for the glories of Christ were many, and the Chartres Christ is one. Whatever Christ may have been at other churches, here, on this portal, he offers himself to his flock as the herald of salvation alone. Among all the imagery of these three door-ways, there is no hint of fear, punishment or damnation, and this is the note of the whole time. Before 1200, the Church seems not to have felt the need of appealing habitually to terror; the promise of hope and happiness was enough."

"At Chartres Christ is identified with his Mother, the spirit of love and grace, and his Church is the Church Triumphant.Not only is Fear absent; there is not even a suggestion of pain; there is not a martyr with the symbol of his martyrdom; and what is still more striking, in the sculptured life of Christ, from the Nativity to the Ascension, which adorns the capitals of the columns, the single scene that has been omitted is the Crucifixion. There, as everywhere in this Portal, the artists seem actually to have gone out of their way to avoid a suggestion of suffering."

"In the center sits Mary, with her crown on her head and her son in her lap, enthroned, receiving the homage of heaven and earth; of all time, ancient and modern; of all thought, Christian and Pagan; of all men, and all women; including if you please, your homage and mine, which she receives without question, as her due; which she cannot be said to claim, because she is above making claims; she is empress. Her left hand bore a sceptre; her right supported the child, who looks directly forward, repeating the mother's attitude, and raises his right hand to bless, while his left rests on the orb of empire. She and her child are one."

"True artists, turned critics, think also less of rules than of values."

"The artists and donors and priests forgot nothing which, in their judgment could set off the authority, elegance and refinement of the Queen of Heaven; even the young ladies-in-waiting are there, figured by the twelve Virtues and the fourteen Beatitudes; and indeed, though men are plenty and some of them are handsome, women give the tone, the charm, and mostly the intelligence. The court of Mary is feminine, and its charms are Grace and Love; perhaps even more grace than love, in a social sense, if you look at Beauty and Friendship among Beatitudes."