"I kept the score cohesive by building it on a backbone of classic Max Steiner-style orchestral underscoring. To internalize Steiner's sound, I studied full scores from sections of The Treasure of the Sierra Madre, Casablanca), and The Big Sleep. I watched those films about a hundred times, along with the Adolph Deutsch-scored film The Maltese Falcon. I read scores to several Debussy works (for the ocean music), listened to plenty of Duke Ellington, and made trips to San Francisco clubs for swing homework."
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Music of Grim Fandango
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