"I worked hard the whole day, so that I am very tired now. Yesterday I made the sketch of the castle [in Vorden] on the canvas and today I painted the sky, the whole day long. I made the composition even more simple by leaving out the creel; the air is painted in the spirit of the [ Swartzwald [?], but much more stronger and sadder. I hope to show the people how beautiful, how profoundly poetical the castle [is].. ..please save this thumbnail-sketch [drawn in the letter, on the same paper] and also my previous letter. Who knows the descendants - when reading them, and looking at the sketch - will say: Look, it was in this way how Bilder's very lovely painting was discussed at the House 't Velde, and how it came into life in Vorden. Good-by, my dear Lady.. (translation from Dutch, Fons Heijnsbroek)."
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version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Ik heb den gehelen dag hart gewerkt. Zoo dat ik erg moede ben. gisteren had ik de schets van op t' doek gebracht en vandaag heb ik de gehelen dag aan de lucht geschildert , ik heb de compositie nog eenvoudiger gemaakt door de vischkaar weg te laten; de lucht is in de geest van t [Swartzwald[?], maar nog veel sterker en droeviger, ik hoop de menschen te laten zien, hoe schoon, hoe diep poetisch, het kaste
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Johannes Warnardus Bilders
1811 – 1890
Johannes Warnardus Bilders (18 August 1811 – 29 October 1890) was a Dutch landscape-painter who was the father of Gerard Bilders (1838–1865) and a forerunner of the Hague School. In 1880 he married the woman-painter Marie Bilders-van Bosse, his former pupil.
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